Acquiring an hourglass silhouette by the means of clothes seems to be a hit amongst women, much credited to the Marilyn Monroe phenomenon, and there are very few items of clothing that can help you achieve that. Women in the fifties used the high-waist skirt to parade their voluptuous assets, and women today are aiming to do the same.
A high-waist skirt wraps your body in its province like a cocoon; whether it’s an A-line skirt or a straight-cut tailored pencil skirt. The concentration is diverted back to the waistline with ribbed fabric, elastic band or a belt-like appearance. In an instant, your legs appear longer, your waist looks tinnier and your posture gets a boost. What more could you ask for?
Wednesday, 16 May 2012
Statement Collars for Spring 2012
No longer just a uniform part of a garment, the collar is having a moment to shine - often quite literally. Embellished, studded, jewelled, patterned, layered, contrasted or cutaway: the commonality is that, in 2012, the collar becomes a statement.
Traditionally belonging to the masculine wardrobe, over the years the humble collar has served its time for fluctuating between genders. It initiated the masculine trend in the most obvious fashion, but with the subtle seep of chiffon blouses and feminine silhouettes, the birth of androgyny was seen.
During the Great War, it belonged exclusively to a uniform, then the creative charisma of Hollywood allowed the collar to enter a female actor’s green room.
The shape and size of collars started changing with time and the industry has seen every possible variety of it, whether that’s an inspiration from a cartoon character or a kitchen appliance. Today, as we see androgyny plant a recurring kiss in a woman’s wardrobe, the collar is also getting a subsequent boost in terms of fame, wearability and its unique identity.
Yellow: bright and Sunny Trends
This warm new season is seeing a wash of bright colours pop in the colour trend charts, most prominent one being yellow and its close family members.
An epitome of sunshine, blooming sunflowers, mustard fields, summer citrus fruits and happiness; there are many reasons attached to the glorification of the colour yellow, making it a huge trend for spring 2012.
However it’s not just the one hue of yellow that’s popular for spring; neon, warm shade, eye-popping tint and citrus tones are being seen in the colour palette.
Continue reading after the break to understand how to stylishly wear the colour yellow without looking comical or like you’ve just emerged out of a flower basket. We have it all covered for you.
Clothes and trend-driven pieces add up for an entire wardrobe, but it’s really the colour palette that dictates the mood. As we know, these colours are mainly interpreted from the change in season, which is probably why we usually see darker tones pop up for autumn / winter and brighter shades for spring / summer.
Yellow is a chief colour for spring 2012, and not just because it’s a direct interpretation from the landscape of the European countryside. This colour evokes an upheaving emotion, a sense of excitement, hope, and also manages to provide a slight distraction from the industry’s economic seesaw. It makes you do a double take on the outfit. The colour yellow can come across as quite in-your-face at times, especially with its over-joyous and extroverted personality, but if worn in the right context and teamed with other soothing colours – this colour trend has a lot of potential for spring.
An epitome of sunshine, blooming sunflowers, mustard fields, summer citrus fruits and happiness; there are many reasons attached to the glorification of the colour yellow, making it a huge trend for spring 2012.
However it’s not just the one hue of yellow that’s popular for spring; neon, warm shade, eye-popping tint and citrus tones are being seen in the colour palette.
Continue reading after the break to understand how to stylishly wear the colour yellow without looking comical or like you’ve just emerged out of a flower basket. We have it all covered for you.
Clothes and trend-driven pieces add up for an entire wardrobe, but it’s really the colour palette that dictates the mood. As we know, these colours are mainly interpreted from the change in season, which is probably why we usually see darker tones pop up for autumn / winter and brighter shades for spring / summer.
Yellow is a chief colour for spring 2012, and not just because it’s a direct interpretation from the landscape of the European countryside. This colour evokes an upheaving emotion, a sense of excitement, hope, and also manages to provide a slight distraction from the industry’s economic seesaw. It makes you do a double take on the outfit. The colour yellow can come across as quite in-your-face at times, especially with its over-joyous and extroverted personality, but if worn in the right context and teamed with other soothing colours – this colour trend has a lot of potential for spring.
Ethnic / tribal fashion in 2012
In 2012 ethnically inspired / tribal fashion is a funny thing. It’s a trend to be certain, but I feel that it’s almost disingenuous to describe it as such. And that’s because Fashionising.com prefers to only highlight trends which are a part of a wider movement – shifts in society’s tastes are real fashion trends, designs pushed by a few designers and marketers are hype.
Yet here’s a guide on how to wear tribal and ethnic inspired fashion in spring 2012. Why? Not just because people will wear the look (a lot of people won’t even realise that they’re doing it) but because it’s a look that, in its spring / summer 2012 format, neatly segues from the patterened trends that continued to inspire many a fashion statement for men and women in 2011.
So the stage is set: a fashion trend that is all about ethnic and tribal elements and not about whole looks, one where the origins of the look are downplayed, and one that is both for men and women. So what does that boil down to?
Yet here’s a guide on how to wear tribal and ethnic inspired fashion in spring 2012. Why? Not just because people will wear the look (a lot of people won’t even realise that they’re doing it) but because it’s a look that, in its spring / summer 2012 format, neatly segues from the patterened trends that continued to inspire many a fashion statement for men and women in 2011.
So the stage is set: a fashion trend that is all about ethnic and tribal elements and not about whole looks, one where the origins of the look are downplayed, and one that is both for men and women. So what does that boil down to?
Womens
Accesorries
Mens
60s fashion
The fall 2011 runways, when they fit to a particular decade, strutted mostly down a glamorous 1970s path. The 1930s were also fairly well represented. And then, amidst it all, a few key designers of influence were marching to the ’60s drum.
Burberry Prorsum’s bright block coloured coats and structured short-hemmed dresses hit a swinging London note. Miuccia Prada worked together flapper chic and 60s mod into graphic pleated tunics and Mary-Jane heels. Yves Saint Laurent, Bottega Veneta, and Marni also dabbled in the trend.
While the sixties fashion themes took root in fall 2011, don’t think they’ll be dead and buried by spring. Having found their way into numerous editorials already, we then saw the trend filter onto the spring 2012 runways. So expect to see the ’60s continue as a spring 2012 fashion trend.
Burberry Prorsum’s bright block coloured coats and structured short-hemmed dresses hit a swinging London note. Miuccia Prada worked together flapper chic and 60s mod into graphic pleated tunics and Mary-Jane heels. Yves Saint Laurent, Bottega Veneta, and Marni also dabbled in the trend.
While the sixties fashion themes took root in fall 2011, don’t think they’ll be dead and buried by spring. Having found their way into numerous editorials already, we then saw the trend filter onto the spring 2012 runways. So expect to see the ’60s continue as a spring 2012 fashion trend.
Twenty First Century Twenties
Vogue's Spring 2012 Fashion Guide
Twenty-First Century Twenties
The mood is flapper, but spring’s Deco dresses are about high gloss, loosening up the idea of evening. Basically, those designers design with technology-ideas match with black, gold, silver colors are so fantastics!
Gucci, Milan
Carolina Herrera, New York
Alberta Ferretti, Milan
Derek Lam, New York
Marchesa, New York
Runwy Highlights for Spring 2012
Vogue's Spring 2012 Fashion Guide Runway Highlights
From Rodarte’s darkly embellished, ultimately feminine prom dress to Balmain’s rock chicks by way of the Wild West, these were the take-your-breath-away moments that struck when a particular look hit the runway, encapsulating the overall mood of the season yet making a clear fashion statement.
Vera Wang, New York
Calvin Klein Collections, New York
Marni, Milan
Bottega Veneta, Milan
Emillio Pucci, Milan
Dries Van Noten, Paris
Haider Ackermann, Paris
Best Collection for Spring 2012
What kind of sense these days to buy clothes that immediately gives you the personality immediately and noticeably?
These Best Collection for Spring 2012 based on Vogue's Fashion Guide will probably bring you a surprise!
Marc Jacobs, New York
Cabaret-era dressing—evoked by the backdrop of a fading antebellum dance hall in the Deep South—informed Marc Jacobs’s masterful tailoring and enchanting dressmaking, ignited by some futuristic adventures in fabrication along the way.
Christopher Kane, London
It takes a maverick genius like Christopher Kane to pluck inspiration from the “really strange” palimpsest walls and Dear Diaries of teenagers’ bedrooms in grim welfare estates and translate them, against all odds, into beautiful, modern clothes.
Burberry Prorsum, London\
Christopher Bailey showed one of his most fully realized, visually appealing, and, perhaps most importantly, emotionally satisfying collections for quite some time.
Jill Sander, Milan
Raf Simons relentlessly pursued an elegance that was fifties in appearance, but forward-thinking in attitude.
Prada, Milan
Miuccia Prada’s hot clash of intellectual impulses roared up the runway as a collection about cars that put women in the driver’s seat.
Dolce and Gabbana, Milan
Sophia Loren, Italian summers in the fifties, boundless womanly sensuality, and a huge, optimistic appetite for life all came to pass in sexy corseted dresses and swimsuits printed with a cornucopia of market-vegetable patterns.
Céline, Paris
Leading the move away from dresses and into separates, Phoebe Philo offered Céline devotees the next reductionist installment of what the designer articulated as her study of “strength, proportion, and a woman’s form.”
Chanel, Paris
Karl Lagerfeld created an aquatic wonderland, inhabited by sea urchin sandals and elaborate pleating and draping that transformed diaphanous organza and seaweed-motif lace into shapes that recalled corals, seashells, and waving underwater algae.
Alexender McQueen, Paris
Sarah Burton’s rich and imaginatively extraordinary collection elevated the McQueen identity to a diplomatic fantasy-plane.
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